Albert Camus, the Nobel Award-winning author from Algeria, explores isolation and intense revelations with a series of six short stories in Exile and the Kingdom. Each of the stories has a character who seems to be lost or isolated from their society and each of them finds a way to connect with themselves or those around them in the muck of what is playing out around them.
The first story is ‘The Adulterous Woman,’ in which a wife accompanies her long-time husband to rebuild his dry-goods business after a war. She contemplated why they were still together after so many years- was it because he loved her or because she needed to feel loved? A stop in a foreign desert town helps the woman finally finds an answer, but perhaps not the one she had been looking for.
‘The Renegade’ is the second story. A young man from the outskirts of the Catholic Kingdom joins the church to become the greatest missionary. His hubris broke himself from order of the church to go to a an area forbidden to Christians, a desert land of other gods and deities. He believed his strength would hold out, but after torturous days and nights, he falls to the dark side and must make a decision to defend his God.
The next story, called ‘The Silent Men,’ is about a shop of coopers who return to barrel-making after several weeks of striking for higher wages. Mixed feelings spread throughout the shop: the boss was sour that his workers walked out on him, and the workers were upset that the boss was not so understanding of their situation. Ugly words from the boss did not help the resolution. The main character, Yvars, lived each day to come home to his wife and a glass of anisette enjoying the sunset over the sea. That was his kingdom. While at work, he felt undervalued, but could understand the boss’s view. A tragedy occurs to the boss’s family on the first day back to work, but it still could not overpower the silence in the shop, and Yvars ends up watching the sunset in reflection that night.
The fourth story, ‘The Guest,’ is a tale about a school teacher living alone on the top of a mesa. As the first big snow fell over the plateau that winter, he knew the small group of students would have struggles surviving the winter. That afternoon, he watched two men ride horses up the mesa and welcomed an old acquaintance, a lawman, transporting a prisoner. The lawman quickly delivered the prisoner to the objecting teacher and left to continue preparing for his duties back in the city. The teacher was to continue the transport to a city a small distance away. The prisoner had killed his cousin to help feed his family. The family had hidden the man and it took a while for the law to catch up. A war was forming at their home and the lawmen could not take care of all of their duties themselves. The teacher disagreed with the transport and hurt the lawman’s feelings when he said he would take the prisoner but had no intentions of delivering him to the prison in the other city. The lawman left and the teacher and prisoner spent a night together in the schoolhouse. Several thoughts went through the teacher’s mind throughout the night: Did he need his gun? Did he lock it up? Would he continue the transport? What will happen if he released the prisoner? The next day he contemplated whether his decisions were the best he could have made.
The fifth story was called ‘The Artist At Work.’ A man with special artistic ability was grateful for his abilities and had never asked for more. Early in his career, he knew he had talent and graciously accepted the first contract given to him. There were no major complaints and he soon found love. The years passed, the family grew, and the artist’s work also grew, but he remained humble. Many friends and followers visited the house dailyĀ and at all hours, and the artist was grateful for these friends and critics. An architect he was friends with from childhood came often and gave him honest opinions of art and life. As the years went by, the artist’s fame waned and he realized he needed to rekindle the creativity. Weeks went by and he turned to alcohol, then women, and his work continued to fall behind. Finally, he builds himself a loft to paint in and he believes this will bring everything back, but a change this simple may not be enough to bring an artist back to relevance.
The final story, ‘The Growing Stone,’ is about an engineer who is hired to construct a jetty to protect a small village on a large river delta in South America. The man is touted as a hero before he even proposes a plan. The man meets many of the locals and joins in a Christian festival that follows many of the local customs and seems to be a mix of the new and old religions. The following day, he joins the judge and chief of police to watch a parade, in which his new friend, a chef, has volunteered to carry a large stone on his head to show his gratitude to Jesus for saving him from a sinking ship. After the parade has finished, the engineer has not seen the chef, so he runs to the street and finds him struggling to carry the stone. The engineer takes the stone and quickly walks it to the church himself, but he does not stop there. He continues on to the chef’s hut and drops the stone onto the floor inside. The struggles between new and old were all around in this story, and as the engineer drops the stone, he shows his respect for the people and their ways instead of taking the stone to the church where it was intended to be taken.
Each of the stories were entertaining alone, but altogether they form a great theme of realization and reverence. Characters come to respect their own callings and others around them. Much like his more popular work, The Stranger, the internal struggles of the characters are apparent and central. This is nice read for thinking and personal self-reflection.